Brutal Tony Award 2026 nominations kick Adrien Brody and Lea Michele to the curb
It was a big morning for blood-sucking monsters. No, not the teen…
‘The Lost Boys’ review: Vampire spectacle is best new musical on Broadway
Theater review THE LOST BOYS Two hours and 40 minutes, with one…
‘The Rocky Horror Show’ review: Broadway show’s got killer performances, but, dammit Janet, make it more fun
Theater review THE ROCKY HORROR SHOW One hour and 50 minutes, with…
‘Beaches, A New Musical’ review: Schlocky friendship show docks during Broadway’s low tide
Theater review BEACHES 2 hours and 30 minutes, with one intermission. At…
‘The Balusters’ review: A hilarious clash of wackos on Broadway
Theater review THE BALUSTERS One hour and 50 minutes, with no intermission.…
‘Schmigadoon!’ review: Tired parody of Broadway’s Golden Age is been there, ‘doon that
Theater review SCHMIGADOON! Two hours and 30 minutes, with one intermission. At…
‘Fallen Angels’ review: Marvelously matched Rose Byrne, Kelli O’Hara offer hilarity in rice-paper-thin Broadway revival
movie review Fallen Angels One hour and 30 minutes with no intermission.…
Pink bizarrely hosting the Tony Awards is a bad sign for the Broadway ceremony
So, the Tony Awards’ last best hope is . . . Pink?…
‘Proof’ review: Ayo Edebiri and Don Cheadle star in underpowered Broadway revival
Theater review PROOF 2 hours and 30 minutes, with one intermission. At…
‘The Fear of 13’ review: Adrien Brody goes to prison in a predictable criminal justice schlep on Broadway
Theater review THE FEAR OF 13 One hour and 50 minutes, with…
